Algers: Office national pour le commerce et l’industrie cinématographique, 1965. Paris: Les Productions de Georges Beauregard, 1963. Algers: Office national pour le commerce et l’industrie cinématographique, 1982. Waltzing with Bashir: Perpetrator Trauma and Cinema. Waltzing with Bachir: Perpetrator Trauma and Cinema. Le signifiant imaginaire-Psychanalyse et cinema. Save up to 80 versus print by going digital with VitalSource. Algers: Office national pour le commerce et l’industrie cinématographique, 1972. Ennemie intime is written by Christine Drews and published by Albin Michel. Princeton: Princeton University Press, 2008. Family Frames: Photography, Narrative, and Postmemory. “Discours de Nicolas Sarkozy à Alger.”, December 4, 2007. London: The Hogart Press and the Institute of Psychoanalysis, 1905.įaucon, Philippe. The Standard Edition of the Complete Works of Sigmund Freud, vol. New York: Routledge, 2014.įreud, Sigmund. German Cinema: Terror and Trauma, Cultural Memory since 1945. LEnnemi intime est un film réalisé par Florent Siri avec Benoît Magimel, Albert Dupontel. Paris: Gallimard, 2001.Įlsaesser, Thomas. La Torture et l’armée pendant la guerre d’Algérie 1954–1962. Paris: Les Éditions de Minuit, 1958.Īnderson, Benedict. This process is experimental and the keywords may be updated as the learning algorithm improves.Īlleg, Henri. These keywords were added by machine and not by the authors. For this reason, the article sites both authors, revealing the very complicated nature of films concerning historical torture. While Marnia Lazreg’s thorough and innovative book Torture and the Twilight of Empire allows no concessions for French military crimes, in Waltzing with Bachir: Perpetrator Trauma and Cinema, Raya Morag finds such sympathetic torturer portrayals (in Israeli documentary films concerning the First and Second Intifadas) serve a greater social need and purpose. A study of the three scenes reveals France’s difficult negotiation in the millennium, sympathising with the torturer’s situation while conscious of the ethics and consequences of such heinous behaviour. Florent Emil Siri’s 2007 film L’Ennemi Intime grapples with this new approach to the Franco-Algerian War there are three torture sequences in which our protagonist, who begins as an anti-torture proponent, plays a vital, but vacillating role (he disrupts one torture session, tortures an Algerian man to death in the second, and in the third prevents a fellow sergeant from torturing himself). While former generals spoke to the press (General Paul Ausseresses and General Jacques Massu), French veterans’ post-trauma stress disorder provoked millennial media interest. In the early twenty-first century, France very publicly confronted its past military policy of torture during the Franco-Algerian War (1954–1962).
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